An intense, passionate melody appears in the violins over a turbulent orchestral accompaniment. Die verbale Konstruktion des Titels „Also sprach Zarathustra“, die litaneihaft das Buch durchzieht, hat den autoritären Sinn: Zarathustra sagte es, und damit ist es so. The horn is answered by a hymn-like melody that is brilliantly orchestrated for divisi strings. 1 1. Its first three notes actually consist of the Nature/World Riddle motif, perhaps suggesting the scientific quest to understand the natural world. Narrative Reflection in the Philosophy of Teaching: Genealogies and Portraits. It begins softly, but grows in intensity, representing humankind’s yearning for a perfect, heavenly, spiritual alternative to nature. Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts written and published between 1883 and 1885. Der wesentliche Vorwurf gegen das Werk bestand in der Feststellung, es drücke nur das aus, was sowieso jeder dachte, und … Out of dark, fragmentary ideas low in the orchestra emerges a horn call, which Strauss labeled with the words “Credo in unum deum” (Latin for “I believe in one God,” a phrase from the Roman Catholic mass). Originally Deutsche Grammophon 1974. Get tickets and more information at A long, gradual crescendo full of strange orchestral effects ensues, featuring fragments of the Zarathustra’s laughter melody. Bekannt ist dieser dog-matische Denkstil aus der frühen Kirchen-geschichte. It makes a significant and original contribution to its field.”—Werner J. Dannhauser, Cornell University “This is a very valuable and carefully wrought study of a very complex and subtle poetic-philosophical work that provides access to Nietzsche’s style of presenting his thought, as well as to his passionately affirmed values. This essentially serves as a long decrescendo to the piece’s famous question-mark ending: flutes, oboes, harps and violins come to rest on a B major chord, but the cellos and double basses repeat a dissonant, unresolved C natural. Inhaltsverzeichnis. Zarathustra sagte es und zeigte damit ver-bindlich den Weg. Interpretation Also sprach Zarathustra: Hoch- und Tiefmetaphern S.24 6.4. This leads to the next section, Das Tanzlied (The Dance Song) in which music based on the Nature/World Riddle motif gives way to a solo violin waltz. These joys and passions soon collapse, however, leading to another transitional section: Das Grablied (The Grave Song). Interpretation Also sprach Zarathustra: der Übermensch S.26 7. ... ― Friedrich Nietzsche, Thus Spoke Zarathustra. Each reader comes away with a highly subjective interpretation of what the book means, making a summary difficult. Sie wurde am 27. Lampert’s persuasive and thorough interpretation is bound to spark a revival of interest in _Zarathustra_ and raise the standards of Nietzsche scholarship in general.”—Daniel W. Conway, _Review of Metaphysics _“A book of scholarship, filled with passion and concern for its text.”—Tracy B. —Calvin Dotsey. piccolo, 3 flutes (3rd also piccolo), 3 oboes, English horn, E ♭ clarinet, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon 6 horns, 4 trumpets, 3 trombones, 2 tubas Also sprach der Teufel einst zu mir: »auch Gott hat seine Hölle: das ist seine Liebe zu den Menschen.« Und jüngst hörte ich ihn dies Wort sagen: »Gott ist tot; an seinem Mitleiden mit den Menschen ist Gott gestorben.« – So seid mir gewarnt vor dem Mitleiden: daher kommt noch den Menschen eine schwere Wolke! “An impressive piece of scholarship. der Interpretation und eröffnet Spielraum, den wir didaktisch nutzen möchten. Once spirit was God, then it became man, and now it even becometh populace. Also sprach Zarathustra; Bibliographie; Werke. This represents humanity’s natural, animal passions, which Nietzsche argues should be embraced: “Inexpressible and nameless is that which is torment and delight to my soul and is even the hunger of my entrails too.”. This is not a Viennese waltz from a glittering ballroom, however, but its more rustic Bavarian cousin. This heavy, gloomy atmosphere is suddenly dispelled by light, high, cheerful music commonly interpreted as Zarathustra’s laughter; Nietzsche did not believe that science, with its methodical quest to understand nature, could provide the metaphysical knowledge he sought. November 1896 durch das Frankfurter Städtische Orchester unter Leitung des Komponisten im Rahmen der Museumskonzerte in Frankfurt am Main uraufgeführt. Nietzsche’s Zarathustra is essentially a raisonneur for his own philosophy, which addresses the crisis of values that faced European society as the advance of science led people to doubt traditional religions and cultural norms. The book is considered among his most well-known and important works. Fazit S.31 9.Literaturverzeichnis S.32 10. The orchestra consists of the following: 1. woodwinds: piccolo, 3 flutes (3rd doubling piccolo), 3 oboes, English horn, clarinet in E-flat, 2 clarinets in B-flat, bass clarinet in B-flat, 3 bassoons, contrabassoon 2. brass: 6 horns in F and E, 4 trumpets in C and E, 3 trombones, 2 tubas 3. percussion: timpani, bass drum, cymbals, triangle, glockenspiel, bell on low E 4. keyboard: organ 5. strings: 2 harps, violins I, II (16 each), violas (12), cellos (12), double basses (8) (with low C string). The initial fanfare – titled "Sunrise" in the composer's programme notes – became well known … Perhaps its main idea is that humans should embrace life, nature, the body and material existence, with all its pleasures and pains, rather than seek for a spiritual world beyond or afterlife. Don’t miss Strauss’s Also sprach Zarathustra on April 26, 28 & 29, 2018! Your subscription means more than ever. Peter Wapnewski liest in überzeugender Kenntnis dieses großartigen Textes die ersten drei und damit die bedeutendsten Teile von "Zarathustra". Thus Spoke Zarathustra: Selections = Also Sprach Zarathustra: Auswahl. Translation for 'Also sprach Zarathustra' in the free German-English dictionary and many other English translations. Nietzsche’s far less familiar book of the same name, dark, fragmentary ideas low in the orchestra, an energetic resumption of the science fugue, fragments of the Zarathustra’s laughter melody, music based on the Nature/World Riddle motif, a passionate, but ultimately unstable climax, A Baroque Christmas: Q&A with Guest Vocalist Morris Robinson, Playliszt: 10 Great Pieces by Music’s Original Rock Star. Unusually for a work of philosophy, Nietzsche’s Also sprach Zarathustra is just as much a prose poem as a philosophical text; indeed Nietzsche, who was an amateur composer himself, said the book was in fact a “symphony.” Written in a pseudo-biblical style, it contains many cryptic aphorisms whose meanings are intentionally vague and poetic. 1 1. B. endet jede Rede mit einem "Amen" der besonderen Art: "Also sprach Zarathustra." He named the sections of his piece after different chapters in Nietzsche’s book, but needless to say, it was impossible to clearly translate Nietzsche’s abstract text into the equally abstract medium of instrumental music (as his critics were wont to point out). Thus Spoke Zarathustra: A Book for All and None. "Also sprach Zarathustra", das philosophische Werk über die Suche nach dem Übermenschen, ist zweifellos Nietzsches persönlichstes Werk. Das Werk besteht aus insgesamt vier Teilen und Nitzsche selbst bezeichnet sein Buch als „das fünfte Evangelium“1. Kontextuelle Interpretation des Mitternachts-Lieds aus Also sprach Zarathustra 105 hinge –, ³⁷ sondern das „ Weib “, von dem er nun spricht, das ihm Kinder gebären kann Insofar as it solves the riddle of _Zarathustra_ in an unprecedented fashion, this study serves as an invaluable resource for all serious students of Nietzsche’s philosophy. Required fields are marked *. Auf der hr2-Hörbuch Bestenliste! Save my name, email, and website in this browser for the next time I comment. Reading the New Nietzsche: The Birth of Tragedy, the Gay Science, Thus Spoke Zarathustra, and on the Genealogy of Morals. Also Sprach Zarathustra Weiterverwendung Epoche Film Spätromantik Odyssee im Weltraum WALL-E Die Simposns Komponist 1870 bis ins 20. Support.Yeah, good idea. Rarely has a piece been so indelibly associated with orchestral history. The World Riddle/Nature motif reappears, disturbing the increasingly fragmentary hymn melody. Nietzsche’s Zarathustra is essentially a raisonneur for his own philosophy, which addresses the crisis o… Anhang S.33 . Kubrick was not too far off the mark in using the piece’s opening to score a sunrise from outer space; Strauss indeed intended it to depict the mountaintop sunrise that opens Nietzsche’s book. 11 Julia Liebscher (1994): Strauss. Zarathustra aber lehnt dies ab, weil er die "Versuchung" darin erkennt und vollzieht somit den Schritt zum Übermenschen. Metaxological 'Yes' and Existential 'No': William Desmond and Atheism. According to his novelist friend Romain Rolland, Richard Strauss once quipped that “In music one can say everything. Noble Lies and Tragedy in Nietzsche's Zarathustra. Friedrich Nietzsche . It was originally inspired by Nietzsche’s far less familiar book of the same name, which is perhaps most famous for including the infamous (and widely misunderstood) declaration that “God is dead.” Nietzsche’s Also sprach Zarathustra is a philosophical novel about a fictionalized Zarathustra (the historical Zarathustra founded the religion of Zoroastrianism). Enter your email address to subscribe to this blog and receive notifications of new posts by email. München 1954, Band 2, S. 274,277. Though this waltz has struck some critics as anticlimactic, its lighthearted character is completely in keeping with Nietzsche’s philosophy; throughout Also sprach Zarathustra, Nietzsche praises “lightness” and describes Zarathustra as a dancer, suggesting that humanity should strive for a similar lighthearted affirmation of life and nature. At 32, he was already widely regarded as the leading German composer of the day, Wagner’s musical heir and a controversial modernist bad boy. By continuing to browse the site you are agreeing to our use of cookies. Nietzsches Zarathustra Mystiker des Nihilismus : Eine Interpretation von Friedrich Nietzsches "Also Sprach Zarathustra, Ein Buch Für Alle Und Keinen". Zusammenfassung der Untersuchung S.29 8. The book is a dense and esoteric treatise on philosophy and philosophy, featuring as a fictionalized prophet descending from his recluse to mankind, Zarathustra. Strauss originally gave the work the cheeky subtitle “Symphonic optimism in fin de siècle form, dedicated to the twentieth century,” but replaced it with the tamer “freely after Nietzsche” before publication. The corresponding chapter of Nietzsche’s book is not so much a meditation on death as a lament for lost “visions and apparitions” of youth. Es ist an der Zeit, dass der Mensch den Keim seiner höchsten Hoffnung pflanze. Diese Selbstschöpfung, die gleichzeitig eine Selb… Nietzsche himself would follow Zarathustra with several more books that attempted to explain it. After consulting with Strauss, the writer Arthur Hahn published a lengthy explanation of the piece (in a typically mercenary move, Strauss actually suppressed the movement titles at the premiere so audience members would be forced to buy Hahn’s pamphlet if they wanted to know what the music was about), but perhaps the clearest, most concise explanation he gave of the work is reported once again by Romain Rolland: “in his mind, he really did want to express […] the hero’s inability to satisfy himself, either with religion or science or humor, when confronted by the enigma of nature.” Using ideas and images from Nietzsche’s book, the piece represents the quest to find what is popularly called “the meaning of life” when confronted by an indifferent, uncaring natural world and humanity’s own corporeal, animal existence. Subtitled “A Book for Everyone and No One,” Also sprach Zarathustra was Nietzsche’s own very personal response to this crisis. Strauss’ piece, however, goes on for another half-hour. Strauss explained that “C major is Nature, Man as being; B minor (at the end of the work B major) his metaphysical aspiration,” suggesting that ultimately the World Riddle remains unsolved. The composer conducted its first performance on 27 November 1896 in Frankfurt. Fazit S.31 9.Literaturverzeichnis S.32 10. Interpretation Also sprach Zarathustra: der Übermensch S.26 7. Nietzsche, Friedrich Wilhelm, -- 1844-1900. Anhang S.33 . Nietzsche and the Premodernist Critique of Postmodernity. Also Sprach Zarathustra by Eric Pancer. This theme becomes the subject of a fugue (the most learned of musical forms) as more instruments enter. Its optimistic but challenging message is that life, even with all its suffering, is fundamentally worth living for its own sake, and that we should live accordingly. Nietzsche was one of the most revolutionary and subversive thinkers in Western philosophy, and Thus Spoke Zarathustra remains his most famous and influential work.... Free shipping over $10. Also Sprach Zarathustra by Richard Strauss song meaning, lyric interpretation, video and chart position. Laurence Lampert’s chapter-by-chapter commentary on Nietzsche’s magnum opus clarifies not only _Zarathustra’s_ narrative structure but also the development of Nietzsche’s thinking as a whole. People won’t understand you.” Strauss’ characteristically humorous remark seems particularly applicable to Also sprach Zarathustra (Thus Spake Zarathustra), one of his best known yet most misunderstood works. "Für meine Generation war er das Erdbeben der Epoche und seit Luther das größte deutsche Sprachgenie." Thus spoke Zarathustra is the classic full-text work by Friedrich Nietzsche. Also Sprach Zarathustra Ein Buch Für Alle Und Keinen. Every one being allowed to learn to read, ruineth in the long run not only writing but also thinking. Thus Spoke Zarathustra: A Book for Everyone and Nobody. As ef-fectively resistant to convincing interpretation as any composition in his ceuvre, this tone poem elicited a fair amount of public commen-tary … The waltz builds to a passionate, but ultimately unstable climax that collapses with twelve strokes of a bell to signal midnight and the transition to the final section of the piece, the Nachtwandlerlied (Night Wanderer Song). Premiered within months of its completion, the work’s opulent orchestrations, complex textures, daring harmonies and controversial subject matter provoked equally intense criticism and applause. tags: existentialism. Also sprach Zarathustra (Untertitel Ein Buch für Alle und Keinen, 1883–1885) ist ein dichterisch-philosophisches Werk des deutschen Philosophen Friedrich Nietzsche. Returning to Sils-Maria a Commentary to Nietzsche's "Also Sprach Zarathustra". Lampert’s commentary and analysis of _Zarathustra_ is so thorough and detailed... that it is the most useful English-language companion to Nietzsche’s ‘edifying’ and intriguing work.”—_Choice _Selected as one of _Choice’s_ outstanding academic books for 1988. Was nicht heißt, dass es unumstritten gewesen wäre: Nietzsches Kritiker bezeichneten ihn immer noch als einen im philosophischen Fach dilettierenden Altphilologen – was er de facto ja auch war. Nietzsche selbst bezeichnete Also sprach Zarathustra als „das tiefste Buch, das die Menschheit besitzt“. The opening motif in the trumpets has been called the “nature” or “world riddle” motif; it recurs throughout the piece as a symbol of nature’s indifference and mystery: After the emphatic opening, the next section is titled “Von den Hinterweltlern.” “Hinterweltlern” is an untranslatable Nietzschean neologism.